APPLE

APPLE

Apple China Spring Festival 2026 (Year of the Horse) — Full-platform digital campaign design across ASO and DotCom, in direct creative collaboration with Apple. Gifting × Launch | Announce × Offer.

Involvement

Design Lead

Date

2026

Apple's CNY ASE is the highest-stakes commercial moment in China's digital retail calendar.
For 2026 — the Year of the Horse — the campaign ran as two simultaneous sub-campaigns: a Gifting season anchored by the Special Edition AirPods Pro 3, and a full-product Launch event tied to China's national subsidy incentive program. Each carried its own Announce and Offer phase, its own visual system, and its own delivery timeline — all running in parallel across the Apple Store Online app and apple.com.cn.

Four Lines, Running at Once

Four Lines, Running at Once

This wasn't a campaign. It was four parallel design tracks.

Apple China's most important annual moment — Chinese New Year — ran as two separate sub-campaigns: Gifting and Launch, each with an Announce and Offer phase, across both the ASO and DotCom platforms. As Design Lead on ASO, I structured and drove delivery alongside two designers, each owning a separate platform track.

This wasn't a campaign. It was four parallel design tracks.

Apple China's most important annual moment — Chinese New Year — ran as two separate sub-campaigns: Gifting and Launch, each with an Announce and Offer phase, across both the ASO and DotCom platforms. As Design Lead on ASO, I structured and drove delivery alongside two designers, each owning a separate platform track.

Four Lines, Running at Once

This wasn't a campaign. It was four parallel design tracks.

Apple China's most important annual moment — Chinese New Year — ran as two separate sub-campaigns: Gifting and Launch, each with an Announce and Offer phase, across both the ASO and DotCom platforms. As Design Lead on ASO, I structured and drove delivery alongside two designers, each owning a separate platform track.

The Real Pressure

The Real Pressure

Apple's standards around accessibility and pixel-level consistency are non-negotiable. The challenge wasn't meeting them once — it was maintaining them across a high-frequency revision cycle inside a closed, Sketch-based workflow with no real-time collaboration.

Design quality rarely breaks in a single moment. It erodes through a hundred small "close enough" decisions. That's where this project's real risk lived.

Apple's standards around accessibility and pixel-level consistency are non-negotiable. The challenge wasn't meeting them once — it was maintaining them across a high-frequency revision cycle inside a closed, Sketch-based workflow with no real-time collaboration.

Design quality rarely breaks in a single moment. It erodes through a hundred small "close enough" decisions. That's where this project's real risk lived.

The Real Pressure

Apple's standards around accessibility and pixel-level consistency are non-negotiable. The challenge wasn't meeting them once — it was maintaining them across a high-frequency revision cycle inside a closed, Sketch-based workflow with no real-time collaboration.

Design quality rarely breaks in a single moment. It erodes through a hundred small "close enough" decisions. That's where this project's real risk lived.

The Structure

The Structure

Gifting launched first; Launch followed closely. But both were in active design simultaneously. The two visual languages shared a common foundation yet differed in specific details — and the line between them was easy to blur under pressure.

I defined a granular consistency standard for the team: not vague alignment guidance, but precise rules at the component, spacing, and color token level. Each designer knew exactly which track they were on and where the boundaries were. Cross-contamination became a non-issue, not by luck, but by structure.

Gifting launched first; Launch followed closely. But both were in active design simultaneously. The two visual languages shared a common foundation yet differed in specific details — and the line between them was easy to blur under pressure.

I defined a granular consistency standard for the team: not vague alignment guidance, but precise rules at the component, spacing, and color token level. Each designer knew exactly which track they were on and where the boundaries were. Cross-contamination became a non-issue, not by luck, but by structure.

The Structure

Gifting launched first; Launch followed closely. But both were in active design simultaneously. The two visual languages shared a common foundation yet differed in specific details — and the line between them was easy to blur under pressure.

I defined a granular consistency standard for the team: not vague alignment guidance, but precise rules at the component, spacing, and color token level. Each designer knew exactly which track they were on and where the boundaries were. Cross-contamination became a non-issue, not by luck, but by structure.

The Year of the Horse visual language — CNY cultural motifs, cloud compositions, and hardware rendered in 3D with horse engravings — had to hold across every digital surface Apple owns in China: feature cards, hero banners, product shelves, overlay treatments, push notifications, WeChat name cards, smart tiles, direct mail, retail wayfinding maps (Amap and Baidu), and window decals. From a 24-inch store display down to a WeChat notification thumbnail.

I led design on the ASO platform, working directly with Apple's in-house copy and creative teams through the full campaign lifecycle. The relationship was genuinely collaborative — hardware lockups, copy positioning, and key visual directions came from Apple; execution, surface adaptation, and design decisions were ours. It demanded both precision in delivery and confidence in judgment.

The Judgment

The Judgment

Being lead meant more than managing files and timelines. It meant exercising judgment in Apple's feedback cycles — deciding which revision requests to absorb and which to push back on, with a design rationale that held up under scrutiny. On several occasions I argued for specific visual decisions and had them accepted. The goal wasn't to be difficult; it was to protect the coherence of the work from being worn down by iteration without purpose.

ASO: Store Page · Step 0–1 · AALP · Overlay · Shop LOB · Bag Page · Digital Mats

DotCom: Product Page · Family Page · Retail Card · DM (4 sets) · Affiliate Banners · Store Wayfinding · Internal Materials

Products: iPhone 17 Pro · iPhone 17 · MacBook Air · Apple Watch S11 · iPad Air · AirPods · Apple Pencil

Four tracks. On time. Visually consistent across every touchpoint. To Apple's standard.

Being lead meant more than managing files and timelines. It meant exercising judgment in Apple's feedback cycles — deciding which revision requests to absorb and which to push back on, with a design rationale that held up under scrutiny. On several occasions I argued for specific visual decisions and had them accepted. The goal wasn't to be difficult; it was to protect the coherence of the work from being worn down by iteration without purpose.

ASO: Store Page · Step 0–1 · AALP · Overlay · Shop LOB · Bag Page · Digital Mats

DotCom: Product Page · Family Page · Retail Card · DM (4 sets) · Affiliate Banners · Store Wayfinding · Internal Materials

Products: iPhone 17 Pro · iPhone 17 · MacBook Air · Apple Watch S11 · iPad Air · AirPods · Apple Pencil

Four tracks. On time. Visually consistent across every touchpoint. To Apple's standard.

The Judgment

Being lead meant more than managing files and timelines. It meant exercising judgment in Apple's feedback cycles — deciding which revision requests to absorb and which to push back on, with a design rationale that held up under scrutiny. On several occasions I argued for specific visual decisions and had them accepted. The goal wasn't to be difficult; it was to protect the coherence of the work from being worn down by iteration without purpose.

ASO: Store Page · Step 0–1 · AALP · Overlay · Shop LOB · Bag Page · Digital Mats

DotCom: Product Page · Family Page · Retail Card · DM (4 sets) · Affiliate Banners · Store Wayfinding · Internal Materials

Products: iPhone 17 Pro · iPhone 17 · MacBook Air · Apple Watch S11 · iPad Air · AirPods · Apple Pencil

Four tracks. On time. Visually consistent across every touchpoint. To Apple's standard.

©2026 SIQI LIU

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©2026 SIQI LIU

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